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Inside Our Movies Dressing George Clooney: Costume Designer Suttirat Anne Larlarb on The American

Scott Macaulay talks to Suttirat Anne Larlarb, the costume designer on The American, about her approach to creating a sartorial palette for the new George Clooney movie.

Anton Corbijn on the set of his new movie, The American

Slideshow On the Record: Anton Corbijn's Album Art

In anticipation of the release of the George Clooney hitman movie The American, Nick Dawson looks at the famous record covers shot by the film’s director, Anton Corbijn.

Inside Our Movies The Cuisine of Abruzzo

With the help of some Italian foodies, we look deep into The American to see what George Clooney’s character might be eating at an Abruzzo restaurant.

Inside Our Movies Death Becomes Him: A Movie Hitman History

In anticipation of the release of The American, Scott Macaulay considers the genre of hitman movies.

Inside Our Movies After the Quake: The American and Abruzzo

Nick Dawson looks at how the presence of The American in Abruzzo made a big difference to the secluded Italian region after it was rocked by a massive earthquake.

Inside Our Movies The American: About The Production

Production notes from the movie The American, directed by Anton Corbijn.

Inside Our Movies Anton Corbijn Interview

In this article from the Fall 2007 issue of Filmmaker magazine, The American's Anton Corbijn talks about his creative process.

Inside Our Movies Rome's Cinema City: Cinecittà

While The American was shot in Abruzzo, many other American productions chose the famous studio outside Rome.

Slide 2: Greta Garbo - The Swedish Goddess

Slideshow Straight From Europe: The Next Great Hollywood Beauty

Anton Corbijn’s The American will give Americans the chance to discover two European actress: Italy’s Violante Placido and Dutch actress Thekla Reuten. They are only the latest in a string of European discoveries.

Slideshow When in Rome: Movies from the Italian Capital

As part of Movie City Rome, Nick Dawson takes a trip through cinema history and examines the different ways filmmakers have portrayed the Italian capital on the big screen.

The American